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Animation: Could this be the world’s oldest animation?

December 9, 2009

It has been thrown out there, that some cave paintings demonstrate a proto-cinematic imagination.
This could be the world’s oldest piece of animation, even the world’s oldest movie – an ‘animation’ from 2,600 B.C. In the 1970s an Italian archaeological team uncovered a pot in the 5,200-year-old Burnt City of ancient Iran. It was Iranian archaeologist Dr Mansur Sadjadi, who discovered that the five images on the pot, showing a wild goat leaping up to eat the leaves of a tree, formed a related series. Now a documentary film has been made by Mohsen Ramezani which animates the sequence. To see the original five images of the wild goat go to www.cais-soas.com.Animation: Could this be the world’s oldest animation?

It has been thrown out there that some cave paintings demonstrate a proto-cinematic imagination.
This could be the world’s oldest piece of animation, even the world’s oldest movie – an ‘animation’ from 2,600 B.C. In the 1970s an Italian archaeological team uncovered a pot in the 5,200-year-old Burnt City of ancient Iran. It was Iranian archaeologist Dr Mansur Sadjadi, who discovered that the five images on the pot, showing a wild goat leaping up to eat the leaves of a tree, formed a related series. Now a documentary film has been made by Mohsen Ramezani which animates the sequence. To se

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Class Notes: Source of the dust and scratches for the Silent Matrix

December 9, 2009

Name of website: Tutorial for VFX and Motion Graphics

website: http://www.videocopilot.net/tutorials/old_film_look/

03. Old film look

June 13, 2005

Bride Footage Comp 1

Create an authentic old-film look

Introduction to transfer modes and masks

Search term for uploading to YouTube: Export Premiere for youtube

To learn html: csszengarden

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Class Notes: How to create a web (low resolution) quality video

December 7, 2009

Class Notes:  How to create a web (low resolution) quality video

1. Save

2. Get out of Premiere

Go to the Applications Folder

Select Adobe Media Encoder CS4 (If you need help: http://help.adobe.com/en_US/AdobeMediaEncoder/4.0/adobemediaencoder_cs4_help.pdf

3. File

Add Premiere Pro Sequence

Import Premiere Pro Sequence (A dialog box appears)

4. Format: For upload, FLV or Quicktime

720 x 480

Video and audio basics – About video and audio encoding

Recording video and audio to a digital format involves balancing quality with file size and bitrate. Most formats use compression to reduce file size and bitrate by selectively reducing quality. Compression is essential for reducing the size of movies so that they can be stored, transmitted, and played back effectively. Without compression, a single frame of standard-definition video uses nearly 1 MB (megabyte) of storage. At the NTSC frame rate of approximately 30 frames per second, uncompressed video plays at nearly 30 MB per second, and 35 seconds of footage takes up about 1GB of storage. By comparison, an NTSC file compressed in DV format fits 5 minutes of footage into 1 GB of storage at a bitrate of about 3.6 MB per second. To compress video for distribution at the highest possible quality, select the smallest compression ratio that delivers video within the file size and bitrate constraints of your target delivery media and playback devices. When exporting a movie file for playback on a specific type of device at a certain bandwidth, you choose a compressor/decompressor (also known as an encoder/decoder, or codec), to compress the information and generate a file readable by that type of device at that bandwidth.

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Research Project No. 4 – Chaplin’s dissolve technique, intertitles and fonts

December 7, 2009

Good example of “dissolve technique” from the title of the film going into the actual film

http://www.dailymotion.com/video/x9rodv_charlie-chaplin-collection-5the-paw_shortfilms

1950′s Mosvie Poster: Pickup on South Street

Intertitles: If annoyed when here please tell the management and clock intermission of one minute to change pictures

http://www.seraphicpress.com/archives/2008/08/

Fun history of silent films and a few cool intertitles

Lisa’s Silent Movie Page

http://www.angelfire.com/retro2/lisa/silents.html

Research into 1920′s fonts

http://new.myfonts.com/fonts/redrooster/poor-richard-rr/

Based on the Keystone Type Foundry design, circa 1919. The l/c ‘’ appears as an alternate character in our font.

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Research Project No. 4 Music

December 2, 2009

http://tunecaster.com/video/listen/chakachas-jungle-fever-1972.html

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Research Project No. 4: Animation, Felix the Cat and Charlie Chaplin

December 1, 2009

For Project No. 4 my partner and I are transforming the movie The Matrix into a silent film to go viral on you tube.  In researching silent films, the weekend I watched Modern Times starring Charlie Chaplin.  It is interesting to note, that because live-action films were such a big hit with moviegoers, early cartoon characters were often modeled on popular actors of the day. One such cartoon character was Master Tom—a black feline with enormous eyes and an inviting ear-to-ear grin. His creator, legendary animator Otto Messmer, based the cat’s personality on silent-film star Charlie Chaplin. Within a year, a slightly boxier version of the cat, now named Felix, started appearing regularly in animated shorts before Chaplin’s feature films.  In the 1920’s cartoon character spoke using speech balloons. People were fascinated by the technology that enabled Felix to take his tail off and turn it into a pencil or a question mark or a shovel.  Felix became such a celebrity in Great Britain that Queen Mary named her own cat after him. Charles Lindbergh on his historic flight across the Atlantic carried a picture of Felix. The character’s adventures didn’t stop there; Felix was also the first image ever successfully transmitted by RCA during its early TV experiments.

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DIGITAL ART – Seen from the Streetcar in New Orleans

December 1, 2009

For almost a year I have been walking past a banner mural (Carondelet and Poydras) and thinking it was an advertisement. I always wondered what this banner was advertising, when actually it was a digital collage entitled ‘All Aboard’ by Lou Blackwell. This banner mural combines a documentary photograph of New Orleanians boarding a school bus to escape Katrina’s rising waters with Michelangelo’s fresco of ‘The Flood’, painted in 1510 for the Sistine Chapel. Both narratives describe the fall or failure of a civilization and simultaneously celebrate individual acts of heroism and humanity.” This 2500 square foot banner mural was commissioned by the Arts Council of New Orleans and the Joan Mitchell Foundation for “Art in Public Places”. It is hosted by LePavillon Hotel.

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Early Animation – Winsor McCay (Father of American Cartoons)

December 1, 2009

In the early 20th century, theaters were already showing animated films on the big screen, but the characters were usually no more than “spokes drawings” for various advertisers. That is, until Winsor McCay drew his way onto the scene in 1914, he believed that animated characters could hold an audience’s attention without the help of a sales pitch. With that in mind, McCay created the groundbreaking film Gertie the Dinosaur.

The most innovative part about the movie’s animation was the way McCay interacted with it. Gertie actually started out as part of McCay’s “chalk talk” vaudeville act, and rather than having Gertie attempt talking via speech balloons, McCay spoke for both of them. Standing on stage next to a projected image of the dinosaur and holding a whip, he would bark out commands like, “Dance, Gertie!” Then, suddenly, the image would change and she would obey. In another sequence, McCay would toss an apple behind the screen and the impish dinosaur would appear to catch it in her mouth.

Eventually, McCay was ready to let Gertie loose on the big screen by herself, using cell animation and drawing thousands of illustrations, he turned Gertie into one of the first successful character-based animated cartoons.

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Project No. 4 Verbal storyboard (Movie broken down to illustrate)

November 23, 2009

1. Thomas A. Anderson is a man living a double life. One, working for a highly respectable software company as a computer programmer. Two, a hacker under the alias “Neo”. Cryptic messages are appearing on Anderson’s computer. He wants to learn the answer to the question, “What is the Matrix?”

2. Actually, the world which Neo has inhabited since birth is the Matrix. The Matrix is an illusory simulated reality construct of the world as it was in 1999. Created by a malevolent (wishing or appearing to wish evil to others) Artificial Intelligence, the Matrix hides the truth from humanity, allowing them to live a convincing, while machines grow and harvest people to use as an ongoing energy source.

3. Neo is contacted by underground freedom fighters who explain that reality as he understands it is actually a complex computer simulation called the Matrix. The Matrix uses the human population bodies’ heat and electrical activity are used as an energy source (humans as batteries).

4. Neo encounters three sinister agents that lead him to a group led by the mysterious underground hacker Morpheus. Morpheus informs Neo that the year is not 1999, but estimated to be closer to 2199, and that humanity is fighting a war against intelligent machines created in the early 21st century. The sky is covered by thick black clouds created by the humans in an attempt to cut off the machines’ supply of solar power. The machines responded by using human beings as their energy source in conjunction with nuclear fusion, later growing countless people in pods and harvesting their bioelectrical energy and body heat.

5. Morpheus and his crew are a group of free humans who “unplug” others from the Matrix and recruit them to their resistance against the machines. Within the Matrix, they are able to use their understanding of its nature to bend the laws of physics within the simulation, giving them superhuman abilities. Morpheus believes that Neo is “the One”, a man prophesied to end the war through his limitless control over the Matrix.

6. Morpheus offers Neo the chance to learn the truth about the Matrix: swallow a red pill and learn the truth or swallow a blue pill and return to the world as he knows it. Neo accepts by swallowing the offered red pill, and subsequently finds himself naked in a liquid-filled pod, his body connected by wires and tubes to a vast mechanical tower covered with identical pods.

7. The connections are severed, and he is rescued by Morpheus and taken aboard his hovercraft, the Nebuchadnezzar. Neo’s neglected physical body is restored, and Morpheus explains the situation. Neo is drawn into a rebellion against the machine, involving other people who have been freed from the “dream world” and into reality. Together with Trinity, Neo and Morpheus fight against the machine’s enslavement of humanity as Neo begins to believe and accept his role as ” the one”.

7. Neo is trained to become a member of the group. A socket in the back of Neo’s skull, formerly used to connect him to the Matrix, allows knowledge to be uploaded directly into his mind. In this way, he learns numerous martial arts disciplines, and demonstrates his kung fu skills by sparring with Morpheus in a virtual reality “construct” environment similar to the Matrix, impressing the crew with his speed. Further training introduces Neo to the key dangers in the Matrix itself. Injuries suffered there are reflected in the real world; if he is killed in the Matrix, his physical body will also die. He is warned of the presence of Agents, fast and powerful sentient computer programs with the ability to take over the virtual body of anyone still directly connected to the Matrix, whose purpose is to seek out and eliminate any threats to the simulation. Morpheus is confident that once Neo fully understands his own abilities as “the One”, they will be no match for him.

8. The group enters the Matrix and takes Neo to meet the Oracle, the woman who has predicted the eventual emergence of the One. She tells Neo that he has “the gift” of manipulating the Matrix, but that he is waiting for something, possibly his next life. From her comments, Neo deduces that he is not the One. She adds that Morpheus believes in Neo so blindly that he will sacrifice his life to save him.

9. Returning to the hacked telephone line which serves as a safe “exit” from the Matrix, the group is ambushed by Agents and SWAT teams. Agent Smith corners Neo but Morpheus pins him down and gives everyone the order to get out. Morpheus allows himself to be captured so that Neo and the others can escape. They later learn that they were betrayed by the crew-member Cypher, who preferred his old life of ignorance over the real world’s hardships and therefore made a deal with the Agents to give them Morpheus in exchange for a permanent return to the Matrix. Cypher is defeated but not before his betrayal leads to the deaths of all crew-members except Neo, Trinity, Tank, and Morpheus, who is imprisoned in a government building within the Matrix. The Agents attempt to gain information from him regarding access codes to the mainframe of Zion, the unplugged humans’ subterranean refuge in the real world. Neo and Trinity return to the Matrix and storm the building to rescue their leader. Neo becomes more confident and familiar with manipulating the Matrix, ultimately dodging bullets fired at him by an Agent. Morpheus and Trinity use a subway station telephone to exit the Matrix, but before Neo can leave, he is ambushed by Agent Smith. He stands his ground and eventually defeats Smith, but flees when the Agent possesses another body.

10. As Neo runs through the city toward another telephone exit, he is pursued by the Agents while “Sentinel” machines converge on the Nebuchadnezzar’s position in the real world. Neo reaches an exit, but he is ambushed by Agent Smith and shot dead. In the real world, Trinity whispers to Neo that she was told by the Oracle that she would fall in love with “the One”, implying that this is Neo. She refuses to accept his death and kisses him. Neo’s heart beats again, and within the Matrix, Neo revives; the Agents shoot at him, but he raises his palm and stops their bullets in mid-air.

11. Neo is able to perceive the Matrix as the streaming lines of green code it really is. Agent Smith makes a final attempt to kill him, but his punches are effortlessly blocked, and Neo destroys him. The other two Agents flee, and Neo returns to the real world in time for the ship’s EMP weapon to destroy the Sentinels that had already breached the craft’s hull. A short epilogue shows Neo back in the Matrix, making a telephone call promising that he will demonstrate to the people imprisoned in the Matrix that “anything is possible”. He hangs up the phone and flies into the sky.

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Research: Project No. 4 (Silent Film title boards)

November 19, 2009

The Pinhead Silent Film Title Cards

THE END

http://www.pinheadhq.com/Downloads/Silent_Films/Title%20Card%203.jpg

Music

Silent Film – Royalty free music

http://www. Pinheadhq.com

http://silent-volume.blogspot.com/2009/07/little-train-robbery-1905.html

 

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